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Groom —
The bride, obliterated by her own radiance
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Reflective of media culture and its ability to objecify and shape collective values, Jan Camp appropriates television broadcasted images to “create and obscure.” Her large-scale photographs act as spatiotemporal fragments that freeze the narrative flow.
Silencing television through her interventions, these photographs become vulnerabe images embedded with powerful and multiple references.
—Cynthia Bodenhorst, 2004
Independent Fesival of Digital Arts
Berkeley, California
Camp has exhibited her photographs since the late 70s. She coaches other artists to become exhibiting artist, is represented by galleries in Callifornia and Dallas, has had numerous exhibitions, received grants, and is a twice fellow of the MacDowell Art Colony.
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